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James Cameron and Philosophy 2017 : CFP: A Critical Companion to James Cameron

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When Feb 3, 2017 - Apr 1, 2017
Where N/A
Submission Deadline Apr 1, 2017
Categories    philosophy   film sutdies   english literature   women's studies
 

Call For Papers

A Critical Companion to James Cameron
Edited by Adam Barkman and Antonio Sanna

Canadian director, producer and screenwriter James Cameron is certainly one of the most popular figures of contemporary Hollywood. His oeuvre includes mainly blockbuster films that enjoyed great success all over the world, including Terminator (1984), Aliens (1986), The Abyss (1989), Titanic (1997) and Avatar (2009), but he is also renowned as a documentarist (directing documentaries on biblical and nautical themes) and is even an inventor of sophisticated underwater machinery. His distinctive touch is his meticulous attention to realistic details (whether in historical or futuristic settings) and his preference for spectacular images produced by the most up-to-date technologies available. Although all of his achievements have offered (and still offer) an incredibly fertile ground for critical examination, analysis and discussion, scholarship on Cameron has never proliferated.
This anthology will explore Cameron’s multi-medial oeuvre from multidisciplinary perspectives. This volume seeks previously-unpublished essays that explore the director’s heterogeneous career, including his directorial debut with the co-directed Piranha 2: The Spawning (1981), his two documentaries Ghosts of the Abyss (2003) and Aliens of the Deep (2005), and, of course, his blockbusters. We are particularly interested in interdisciplinary approaches to the subject that can illuminate the diverse facets of the director’s work and his visual style. A full proposal will be submitted to a publisher (with whom we are already in contact about this project) as soon as we have selected the list of chapters. The previous volume we co-edited together—A Critical Companion to Tim Burton—was contracted with Lexington Press, which makes use of peer-reviewing. Our relationship with Lexington is very good and we expect to sign with them.
There are several themes worth exploring when analyzing Cameron’s works, utilizing any number of theoretical frameworks of your choosing. We request the chapters to be based on formal, academic analysis. Contributions may include (but are not limited to) the following topics:

• Cameron and the visual arts
• Cameron and fairy tales
• Gender and queer readings
• Cameron and philosophy
• Representations of mothers
• Utopias and dystopias
• Exploration of dreams and the subconscious
• Fascination with machines and ecocriticism
• Alienation and misperception, conformity/nonconformity
• Fear of the Other
• The problem of evil
• Postcolonial readings
• Biblical interpretations
• Cultural studies and popular culture
• Class consciousness
• Technologies of communication
• Romantic love through destruction
• Creativity and representations of the artist
• Special effects and their evolution
• Music in Cameron's films (Brad Fiedel, James Horner and Alan Silvestri)
• The meaning and significance of colors
• Hubris and technology
• James Cameron in/and translation
• Fan practice and fan communities
• Technology and the Environment
• Science and mystery

The anthology will be organized into thematic sections around these topics and others that emerge from submissions. We are open to works that focus on other topics as well and authors interested in pursuing other related lines of inquiry. Feel free to contact the editors with any questions you may have about the project and please share this announcement with colleagues whose work aligns with the focus of this volume.

Submit a 300-500 word abstract of your proposed chapter contribution, a brief CV and complete contact information to Prof. Adam Barkman (adam_barkman@hotmail.com) and Dr. Antonio Sanna (isonisanna@hotmail.com) by 1 April, 2017. Full chapters of 4000-6000 words would be due upon signing a contract with a publisher. Note: all full chapters submitted will be included subject to review.

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