posted by user: Filippo1987_ || 2494 views || tracked by 1 users: [display]

C-IIC 2019 : Counter-image International Conference

FacebookTwitterLinkedInGoogle

Link: https://observatorioevam.wixsite.com/evam
 
When May 6, 2019 - May 7, 2019
Where Lisbon
Submission Deadline Dec 10, 2018
Categories    art   photography   cinema   media studies
 

Call For Papers

Call for Papers

The research on History, made by authors such as Benjamin and Foucault, sustain a
counter-discourse and counter-narrative way of thinking that aims to embrace the voices of those who
have been voted to silence by the hegemonic powers of society, asserting themselves as
counter-memory. The practices of memory are thus fields of political action where various agents
interact in relationships of power that seek to give visibility to memory, against forgetfulness,
marginalization and subjugation. The productions of memory and forgetfulness are not passive acts,
but denote conflicts and tensions between different modes of knowledge. We seek to highlight the
different perspectives and multiplicities of discourses that converge in the formation of memory
guided by heterogeneity and plurality.

From this theoretical and interpretive framework appeared new models of organization and
re-activation of memory; discussions on the interactions between individual / collective identities;
postcolonial perspectives; gender policies; marginal / peripheral discourses gained dimension.

We invite academics, students and independent researchers to think the photographic and
filmic image as “a place where recollection - memory – materializes” (Bergson, 1896) and real and
fiction intersect (Dubois, 2016) affirming their power to transgress and open other narrative and visual
paths. The scope of the conference includes, but is not limited to:
- counter-hegemonic narratives;
- temporal densities of/in images;
- archive dynamics in relation to counter-power and counter-memory;
- self-representation between fiction and reality;
- political and sociohistorical dimensions of authorship;
- artistic practices as resistance strategies;
- the use of vernacular images and processes in artistic production.


Abstract Submission
Proposals for communications - of max. 20 minutes - must be sent to
scientific.counterimage@gmail.com , for the attention of Professor Ana Lúcia Marsillac, until the 10th
of December 2018, and include: a .docx file with the name of the author(s), a biographical note (max.
100 words), the title of the proposal, keywords (max. 5) and the abstract (max. 300 words).

Venue and Date
The conference will be held at Auditório 1 - Torre B in Faculdade de Ciências Sociais e Humanas of
Universidade Nova de Lisboa, on the 6th and the 7th of May 2019.

Confirmed Keynote Speakers
David Campany (Westminster University)
Susana de Sousa Dias (Faculty of Fine Arts – University of Lisbon)

Accepted languages
English and Portuguese

Registration
Paper Submission: free
Regular Registration: 30€
Student Registration: 15€

More information:
https://observatorioevam.wixsite.com/evam
https://www.facebook.com/observatorioevam/
clusterevam@gmail.com

Related Resources

SIGIR 2024   The 47th International ACM SIGIR Conference on Research and Development in Information Retrieval
ISPiF 2024   Call for Abstracts - 2024 Meeting on Frontiers and Borders in Philosophy and Film
ICVISP 2024   2024 8th International Conference on Vision, Image and Signal Processing (ICVISP 2024)
AIxHEART 2024   IEEE International Conference on AI x Humanities, Education, and ART
ICCI 2024   International Conference Counter-Image 2024 - Visual Culture and Ecological Thinking: reimagining relationships in the world
JSTA 2024   Call for Audiovisual Essays – JSTA
MobiCom 2024   The 30th Annual International Conference On Mobile Computing And Networking
TBA FRICTION 2024   Call for Submissions: FRICTION: tba Journal of Art, Media and Visual Culture
ADMIT 2024   2024 3rd International Conference on Algorithms, Data Mining, and Information Technology (ADMIT 2024)
Arts in Society 2024   Nineteenth International Conference on the Arts in Society, Hanyang University, Seoul, South Korea + Online