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WASPAA 2017 : IEEE Workshop on Applications of Signal Processing to Audio and Acoustics


Conference Series : Workshop on Applications of Signal Processing to Audio and Acoustics
When Oct 15, 2017 - Oct 18, 2017
Where New Paltz, New York
Submission Deadline Apr 20, 2017
Notification Due Jun 27, 2017
Categories    signal processing   audio

Call For Papers

Call for Papers: WASPAA 2017

The 2017 IEEE Workshop on Applications of Signal Processing to Audio and
Acoustics (WASPAA 2017) will be held at the Mohonk Mountain House in New
Paltz, New York, and is supported by the Audio and Acoustic Signal
Processing technical committee of the IEEE Signal Processing Society.
The objective of this workshop is to provide an informal environment for
the discussion of problems in audio, acoustics and signal processing
techniques leading to novel solutions. Technical sessions will be
scheduled throughout the day. Afternoons will be left free for informal
meetings among workshop participants.

Important Dates:
Submission of four-page paper: April 20, 2017
Notification of acceptance: June 27, 2017
Early registration until: August 15, 2017
Workshop: October 15–18, 2017
Place: Mohonk Mountain House, New Paltz, New York, USA

For details, see also:

Papers describing original research and new concepts are solicited for
technical sessions on, but not limited to, the following topics:

Acoustic Signal Processing
Source separation: single- and multi-microphone techniques
Acoustic source localization and tracking
Signal enhancement: dereverberation, noise reduction, echo reduction
Microphone and loudspeaker array processing
Acoustic sensor networks: distributed algorithms, synchronisation
Acoustic scene analysis: event detection and classification
Room acoustics: analysis, modeling and simulation

Audio and Music Signal Processing

Content-based music retrieval: fingerprinting, matching, cover song
Musical signal analysis: segmentation, classification, transcription
Music signal synthesis: waveforms, instrument models, singing
Music separation: direct-ambient decomposition, vocal and instruments
Audio effects: artificial reverberation, amplifier modeling
Upmixing and downmixing

Audio and Speech Coding

Waveform and parametric coding
Spatial audio coding
Sparse representations
Low-delay audio and speech coding
Digital rights

Hearing and Perception

Hearing aids
Computational auditory scene analysis
Auditory perception and spatial hearing
Speech and audio quality assessment
Speech intelligibility measures and prediction

Submission of Papers: Prospective authors are invited to submit
full-length papers, with up to four pages for technical content
including figures and possible references, and with one additional
optional 5th page containing only references.
Papers must be submitted electronically by April 20, 2017 at 23:59 AOE
time (12 hours behind UTC). No new submissions will be accepted after
that time.

Workshop Committee

General Chairs: Patrick A. Naylor (Imperial College London), Meinard
Müller (International AudioLabs Erlangen)
Technical Program Chairs: Gautham Mysore (Adobe Research), Mads
Christensen (Aalborg University)
Finance Chair: Michael S. Brandstein (M.I.T. Lincoln Laboratory)
Publications Chair: Toon van Waterschoot (KU Leuven)
Registration Chair: Tiago H. Falk (INRS, Montréal)
Industrial Liaison Chair: Tao Zhang (Starkey Hearing Technologies)
Far East Liaison: Shoko Araki (NTT)
Local Arrangements Chair: Youngjune Gwon (M.I.T. Lincoln Laboratory)
Demonstrations Chair: Christine Evers (Imperial College London)
Awards Chair: Sebastian Ewert (Queen Mary University of London)

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