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CC 2015 : Critical Costume 2015

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Link: http://costumeinfocus.com/?page_id=118
 
When Mar 25, 2015 - Mar 27, 2015
Where Helsinki
Submission Deadline Oct 31, 2014
Notification Due Nov 25, 2014
 

Call For Papers

Critical Costume 2015
An international conference and exhibition of costume

25-27 March 2015, Helsinki, Finland
Aalto University, School of Arts, Design and Architecture

Critical Costume 2015 is the second event within the Critical Costume research project, originally initiated at Edge Hill University, UK in 2013 (see www.criticalcostume.com), and investigates costume practices as a means of critically interrogating the body in/as performance.

Deadline for the submission of proposals: 31 October 2014 Extension of deadline!
Submit your proposals here: http://costumeinfocus.com/?page_id=118

What does it mean to study costume in the 21st century?

Early theoretical discourse on costume (Hollander 1975/1993; Wilson 1985/2013; Gaines 1990) underlines the active interrelation between costume, body and character by arguing that “costume assimilates bodily signifiers into character, but body as a whole engulfs the dress” (Gaines 1990: 193).

In the 21st century, costume practices are now encountered through a multitude of different media: from film and theatre to virtual environments and mediated platforms. Mediation has become a prevalent principle of contemporary life and culture. Yet, the role of the costumed body and of how bodily practices are ‘read’ within and explored through these contexts remains a central question of 21st century artistic scholarship and practice.

Costume is still a relatively new and emerging research area. However, the study of costume has significantly grown in profile in recent years as a subject worthy of focused academic study, as evident within the growing number of international scholarly publications on costume and the costumed body in the last decade. Most recently, special issues of academic journals, such as Canadian Theatre Review (2012) and Scene (2014, forthcoming), have addressed the agency of costume in live performance as well as in film and other media. In that regard, Critical Costume 2015 is the second event conceived under the banner of Critical Costume, following a research project initiated by Dr. Rachel Hann and Sidsel Bech at Edge Hill University (UK) in 2013 (see www.criticalcostume.com). The overall aim of the Critical Costume events is to offer a platform for new academic thinking and design practices around the study of costume: with costume conceived as a means of critically interrogating the body in/as performance.

Therefore, Critical Costume 2015 invites contributions from scholars and practitioners that seek to ad-dress the implications of research processes, new technologies and media for the study and practice of costuming today and in history.

While we welcome all proposals on the subject of costume,Critical Costume 2015 is particularly interested in contributions from practitioners and scholars that investigate the following:

Methodologies for researching costume in live performance, film and media: this includes practice-based approaches, new technologies as a tool for costume research, as well as historical, sociological, ethnographic, anthropological or other cultural perspectives in studying costume practices.
Media and mediated costume, and new design practices: costume in media and media in costume; these include film costume, digital costume, wearable technology, interactivity, latest technology and special effects, and the dramaturgical implications of interpreting screen-mediated or projected costume.
Costume practices and performances that examine the performative qualities of material (whether physical or virtual), body, flesh, and design.

The event includes:

an exhibition of artistic work and artistic research,
a conference comprised of academic presentations on current research in the field of costume and performance,
Flash Talks – short presentations by artists, and
film and media screenings.

In that regard, we invite all interested parties to submit their proposals stating which presentation format you wish to be considered for:

20min paper presentation (title and 300-word abstract)
Flash Talk presentations (title and 200-word summary)
Exhibition or Installation work – physical or mediated object (title and 200-word description)

Note: We welcome applications to present in more than one format. The event language is English.

Deadline for the submission of proposals: 31 October 2014 Extension of deadline!

Please submit your proposals online: http://costumeinfocus.com/?page_id=118

If you intend to submit artistic work for the exhibition, in addition to the online submission form above, please send images of your work as a single PDF file by email to: jorge.sandoval(at)aalto.fi.

Critical Costume 2015 is open to public attendance.
The event will be open for registration after notification of acceptance.

Critical Costume 2015 is curated by Professor Sofia Pantouvaki and hosted by the Costume in Focus research group, based at Aalto University School of Arts, Design and Architecture.

Important dates:
Deadline for the submission of proposals: 31 October 2014 Extension of deadline!
Notification of acceptance: 28 November 2014
Event dates: 25-27 March 2015

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