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RAPCAP 2011 : Rethinking African Popular Culture and Performance: A Colloquium in Honour of Sola Olorunyomi at 50

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When Dec 8, 2011 - Dec 8, 2011
Where University of Ibadan
Submission Deadline Oct 23, 2011
Categories    african arts   popular culture   postcolonial studies   performance
 

Call For Papers

[UPDATE] RAPCAP 2011: Rethinking African Popular Culture and Performance: A Colloquium in Honour of Sola Olorunyomi at 50

Deadline Extension: The deadline for submission of abstracts for RAPCAP 2011 is now October 23, 2011. This is to enable us to accommodate intending participants who could not make the previous deadline for pertinent reasons. Please note that new deadline is final. The valid e-mail address for submissions is lorunyomiat50@yahoo.com.

Conference Date: The conference will hold on December 8, 2011 at the Institute of African Studies, University of Ibadan, Nigeria.

Keynote Address: Odia Ofeimun, erstwhile president of the Association of Nigerian Authors, will give the keynote address.

Call For Papers
In spotlighting the contributions of Sola Olorunyomi – author of the seminal Afrobeat!: Fela and the Imagined Continent and other influential texts – to literary and cultural studies, this colloquium intends to incite a debate around the ferment that Olorunyomi has generated as an idea, a scholar, a teacher within and outside the classroom, a performer, a social activist and a fifty-year-long insurrectionary event

Popular culture and performance in Africa, more intently, are isolated as the hub around which the colloquium’s sub-themes will revolve. We also want to look, beyond the normative cultural forms, at para-artistic sites such as television reality, telephony, virtual interaction (Facebook, Twitter, etc.), open-market hawking, etc. The colloquium’s immediate objective is to update critical engagements with popular modes of culture, taking into consideration the recent emergence of new forms such as hip-hop, on the one hand, and the transformation of other forms such as home video culture as exemplified by Nollywood, on the other.

Scholars are free to account for the itineraries of borrowed forms and explore the implications of such practices on indigenous cultural modes in relation to the global political economy of culture, as well as the double layers of local and Western cultural hegemony. In this regard, highlighting the role of virtual communication and cyberculture as rallying points of counterhegemonic sentiments in the mass revolutions recently witnessed on the continent will be pertinent, given Olorunyomi’s credentials as a site of transformative action.

While presentations are not restricted to any themes or art forms, we expect participants to adequately problematize existing debates on key issues of the theory of African popular arts, the question of aesthetics, ideology, reception, as well as the place/role of technology and the media in the ongoing reconfiguration of the field. In their investigations, intending participants are encouraged to explore any national, regional or virtual community model relevant to the colloquium’s focus.

We therefore seek panel and individual presentations from scholars and practitioners that address issues relating, but not limited, to the following:

- Performance (Music, Drama, Disc Jockeying, etc.)
- Virtual Communication/ Cyberculture
- Reality Television
- Telephony
- Advertising
- Stand-up Comedy
- Slogans
- Home Video
- Football Fandom
- Body Art
- Fashion

Abstracts of not more that 250 words should be sent as email attachments to lorunyomiat50@yahoo.com. Final deadline for submissions: Sunday, October 23, 2011 (12 midnight, Nigerian time). We will respond to applicants regarding acceptance on a rolling basis.

The colloquium will hold at the University of Ibadan on December 8, 2011. A festschrift of presented papers will be published afterwards.

Direct all enquiries to lorunyomiat50@yahoo.com. Alternatively, contact Senayon Olaoluwa (PhD Wits), Department of Languages and Linguistics, Osun State University or Tunji Azeez (PhD Ibadan), Department of Theatre Arts and Music, Lagos State University.

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