posted by user: soundatplay2011 || 4263 views || tracked by 6 users: [display]

CMSC 2011 : Sound at Play: Music, Humor, and Games

FacebookTwitterLinkedInGoogle

Link: http://www.columbia.edu/cu/cmsc/
 
When Mar 5, 2011 - Mar 5, 2011
Where New York City
Submission Deadline Dec 15, 2010
Categories    music   sound   science   technology
 

Call For Papers

Call for Abstracts:
SOUND AT PLAY: MUSIC, HUMOR, AND GAMES

Columbia Music Scholarship Conference 2011

The Columbia Music Scholarship Conference invites graduate students and recent Ph.D. recipients to submit abstracts to be selected for presentation at our eighth annual meeting on March 5, 2011 at Columbia University. We are soliciting proposals from scholars active in all fields related to the academic study of music, as well as other areas within the humanities, social sciences, education, or science and technology studies.

We seek to seriously consider music as play. The many ways that composers, performers, intermediaries, and listeners play with music and sound allow us to examine music as a locus of humor, competition, rule, risk, pleasure, and amusement. Musical games teach us about social order early in our lives, yet musical humor is often profoundly subversive of social and cultural forms and structures. As various commercial sectors capitalize on the musically humorous, playful, and competitive, they also help produce new modes of sociability and musicality. How do humor and games influence musical activity and how does playful musicality produce the humorous? How have composers incorporated games and play into their works and how does musical humor affect cultural and economic value?

Paper topics on music, humor, and games could encompass approaches focusing on a broad range of historical periods, cultures, societies, and various forms of musical activity, including composition, performance, distribution, consumption, and mechanical reproduction. CMSC aims to produce a fruitful methodological counterpoint by representing historical, biographical, sociological, textual, philosophical, and ethnographic approaches to the study of music and sound as play.

Possible topics include, but are not limited to, the following: musical puns; timing, expectation and indeterminacy; “game pieces” and aleatoric composition; irony in music; music in computer/video games; music and sports; dance games; farce; comic opera; humor and games in musical improvisation; musical games as education; playful modes of musical sociality; cultural and economic value of the musically humorous; musical drinking games; musical play in childhood, adolescence, and among adults; subversion and competition in composition, performance, and consumption.

Proposals/Abstracts: Abstracts of 250 words, including a title, should be submitted electronically by December 15, 2010 to: SoundatPlay2011@gmail.com. Please include your name and contact information in your email only, and attach the abstract as a Word, text, or .pdf file. The committee will select papers anonymously. All scholars who submit abstracts will be notified of the committee's decision by December 22, 2011.

Related Resources

HAI 2024   Humor and Artificial Intelligence at ISHS/HRC 2024
ANaNO 2024   International Conference on Advanced Nanoscience and Technology
GIRES_HARLEM Renaissance 2024   Celebrating the Centenary of the Harlem Renaissance: Legacy, Influence, and Contemporary Perspectives
AP-EduTeach 2024   6th Asia-Pacific Conference on Education, Teaching & Technology 2024
Philosophical Approaches to Games and Ga 2024   Call For Papers - Philosophical Approaches to Games and Gamification: Ethical, Aesthetic, Technological and Political Perspectives
IJP2P 2024   International Journal of Peer-to-Peer networks
In the Field 2024   In the Field 2 | Creative Research into Sound Arts Practice (London)
CE 2024   8th International Conference on Civil Engineering
GamesandNLP 2024   Games and NLP 2024 Workshop
IJGTT 2024   International Journal of Game Theory and Technology